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Last month, in posing the “inconvenient hypothesis” that there was a pornographic quality to the propaganda photographs that Dorothea Lange took of the destitute victims of the Great Depression, I drew upon Plato’s “Republic”...
Presumably, the title of Jonathan Raban’s piece about the photographs of Dorothea Lange for the New York Review was entitled “American Pastoral” because, as his point of departure, he invokes William Empson’s Some Versions of...